Black Vibrations was a bold celebration and exploration of the complexity of Black Experience, history, and culture. This group exhibition featured a harmony of works by Black artists from different backgrounds and generations and served as a platform for the celebration of Black History.
The title Black Vibrations derived from the idea that although the familiarities that reside within Black culture are beautiful and celebratory, Blackness is not a monolith. It is an oscillating and dynamic state of being with a pulse that beats life, joy, resistance, celebration, creativity, similarities, and differences.
Just as sound vibrations travel, reverberating across space and time, so too do the legacies of Black communities and their continuous contributions to global culture. Each artwork in this exhibition, whether through color, texture, or form, sent out a powerful vibrational frequency that calls for reflection, engagement, and dialogue.
Artists participating in this exhibit included Omari Booker, Samuel Dunson, Leroy Hodges, Barbara Hodges, Michael McBride, Rod McGaha, Ashley Mintz, Lakesha Calvin, Michael Mucker, Shadale Smith, Trica Townes, Nadine Shillingford and XPayne. Tennessee State University Art Instructor Donna Woodley curated the exhibition.
Kaylin Warden serves as the MACC’s Creative Design and Operations Manager. In this post, she oversees the organization’s graphic design work for exhibitions, events and special projects. She also coordinates the MACC’s arts outreach activities and assists with bookkeeping, among other duties. Kaylin, above all, is passionate about the arts. It comes as no surprise, then, that she is now pursuing a master’s degree in art history. When she’s not at the MACC, you can find her reading her favorite books (especially ones dealing with maritime mysteries), cooking, gardening, playing with her cat and two dogs, and cheering for the Nashville Predators.